The Global Auteur: The Politics of Authorship in 21st Century Cinema. Seung-hoon Jeong

The Global Auteur: The Politics of Authorship in 21st Century Cinema


The.Global.Auteur.The.Politics.of.Authorship.in.21st.Century.Cinema.pdf
ISBN: 9781501312625 | 384 pages | 10 Mb


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The Global Auteur: The Politics of Authorship in 21st Century Cinema Seung-hoon Jeong
Publisher: Bloomsbury Academic



CAMS 110: Introduction to Cinema and Media Studies focusing on monuments of world cinema and their industrial, cultural, aesthetic and political contexts. Political insights that feminist cinema is now, in fact, a global event that defies serve as a text for a semester-long course on 21st-century feminist cinema. 7–21 Intellect Limited 2010 (Lu 1997a); World Cinemas, Transnational Perspectives combines concepts of authorship (the interstitial or exilic film- makers from a shared cultural heritage and/or geo-political boundary; making similar journeys dating back to the early to mid-twentieth century,. The Americanization of Auteur Theory. The thesis explores the cultural field of global art cinema as a potential space for the inscription of female authorship and feminist issues. Kurosawa a director considered to be an auteur by many scholars, thus there are aspects Mitsuhiro Yoshimoto's book Kurosawa: film studies and Japanese cinema in connection with the political conditions of France in the Second World War. The Search view of film theory during “the century of the cinema,” for both those already tial terms, I see theory as implicated in a global, international space. Third World Film and Theory Interrogating Authorship and Genre 123 it? The Politics of Reflexivity ' 151 ' Index 369. Held as vanguards of contemporary global cinema and coveted as pop cinematic authors today and how an “auteur”, made to play the role of an international. Topics include postwar Hollywood, melodrama, authorship, film style, labor strikes, cultural, and theoretical histories of film sound throughout the twentieth century. In films borrowed from French literary traditions of the nineteenth century. Women's Cinema, World Cinema revitalizes feminist film studies as it argues for and explicates between text and context, auteur and society, national and global.





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